A museum I visited in London called the Tate Modern had a series of portraits in the “States of Flux” exhibit, created by Cindy Sherman. This series stood out to me among the other pieces of art, and I thought I’d share it with all of you. This work of art is a series of portrait, black and white photographs, in which Cindy Sherman is the subject in each image. However, it seems like the subject of each image are different people. Sherman changes her makeup and facial expression in each portrait so much that each portrait looks like people of different ages and gender.
According to the “cindysherman” website, her biography says, that or a work of art to be considered a portrait, the artist must have intent to portray a specific, actual person. This can be communicated through such techniques as naming a specific person in the title of the work or creating an image in which the physical likeness leads to an emotional individuality unique to a specific person. While these criteria are not the only ways of connoting a portrait, they are just two examples of how Sherman carefully communicates to the viewer that these works are not meant to depict Cindy Sherman the person. By titling each of the photographs "Untitled", as well as numbering them, Sherman depersonalizes the images.